What'S up everybody Peter MacKinnon here welcome back to another video, the most anticipated video of the year total lie it's not at all, but it has been a very highly requested video, and that is my thoughts on the new canon.
Eos are, however, there's so many videos already out there going through the spec sheet, telling you everything i wanted to talk about my real-world experience using it to make a short film, slash documentary style, video in the mountains over the past week, and this is why it Was really weird for me for four or five years now I have been using the Canon 1dx mark 2.
I know everything about it.
I can use it without looking my hands just know where to do all the different modes.
I don't have to look.
I just.
I know everything it's like someone playing the piano.
You just feel the music.
They don't need to look at the keys they just play.
So it's been very hard for me to switch.
That being said, we won't be talking about this camera today, so I'm just gon na.
I don't know where.
To put it, I just I needed this space on the table.
Some emails, just ok today, we're talking about the new eos.
Are it looks like this.
You know why it's awesome too, because with the battery grip on it and a nice lens, it almost feels like the 1dx, but it's still smaller, and if you wanted to actually use this without the battery grip, it's considerably smaller.
Just like this.
So that's that's a big change for me.
It feels different.
It looks different.
That'S when we went to the mountains.
I still brought my 1dx with me as like a backup I want to have my camera with me.
I should bring it around everywhere.
I go so I can take shots with this and then switch over.
I left it in the room, the entire trip it just collected dust in the bag on the floor of my hotel room, and that was that was a big challenge for me.
That was me saying: okay, I'm gon na commit to this.
I'M just gon na use this new camera.
I don't care if it has limitations that I'm not used to.
I am going to use this through and through for this entire project, and we did so if you've seen the trailer teaser rather for the upcoming film called the bucket shot.
It'S on my channel, maybe you've seen it.
If you haven't here's a little clip of that.
We'Re literally flying across the country to take one photo, it's all still covered in its foggy like that, still lose.
I'M not gon na play the whole thing.
I mean it's only 34 seconds, but if you want to see it, there's the little I card whoop, you can click on that and go go check that out yourself.
The whole thing was shot on.
The US are everything everything in that film from start to finish? Was done with this camera we're still working on it? The Edit is very extensive.
You'Ll see more of that to come, you'll see the film itself, we're gon na premiere and it's gon na be great, but let's jump into the specifics of what I liked about this.
What I didn't like what I think could be improved, what I loved and why I might actually switch from my 1d Exmark to to this camera for the first time in five years.
So we all know the specs of this thing.
You'Ve seen it all over the Internet, the only thing that it would be lacking for me compared to what I'm using now is having 120 P.
So as far as this camera goes in comparison to what I'm using what my needs are as a photographer and a filmmaker slash vlogger, because that's they're both very different things.
The only thing this doesn't have is 1080p 120 frames per second and the fast frames per second through photos and continuous shooting those are the only things that would really be hard for me to get used to you guys know me and you watch this channel.
You know that I use 120 P slow-motion video all the time it started off with just like hey.
This is great.
This looks amazing to then becoming part of what I feel is my style, and then the fans started loving it and it became like an integral part of my filmmaking process, but there in also lies the issue I always want to be progressing.
I always want to be taking my own craft to the next level and 120p, for me was starting to make me become a little bit of a lazy, filmmaker and I'll explain what I mean by that is when I got to any type of shoot.
When I got to any type of location, no matter where I was or what I was doing in the world, one of my first just mindless instincts was to just flip over to one 20p, throw an ND filter on there, move that starter to 250 and just Start shooting stuff in slow-mo, but that started to kind of push away.
The storytelling side that I have inside me.
It would suppress that, because I was just worried about getting everything in slo-mo, not look dope.
This the tasty buttery slow-mo clip the b-roll.
Don'T get me wrong, I love b-roll.
You guys know this about me.
It'S my favorite thing ever aside, my kids and my wife, but it's my favorite thing to shoot.
So could you go to a camera that doesn't have 120 P? Well because it's challenging me again.
I can still shoot in 60 P if I want, if you did, want to shoot in 4k.
This does crop the image.
So if you have a 10 millimeter lens on that's gon na be more like a 16 millimeter lens, you are losing more of the image.
Jb this is wide, but then, when you switch to 4k suddenly i'm much closer.
You can combat that by putting a wider EFS lens on.
So for me, that's not a deal-breaker.
It'S just kind of like a nice little package.
Quite possibly my favorite part of this camera is the fact that it shoots an 8-bit si log it'll shoot 10 bits elog, which is a little higher quality, but you can external recorder to do that.
So, if you're, just gon na shoot in camera, 8-bit si log.
It'S so great, it's so so so great and I'm so happy it's in this mirrorless camera, because I've been waiting for something like that with my 1dx and they put out the firmware update with a 5d Mark 4 that had si log and I was like, and It just never came so it was just like, ah because the exposure that you get with a flat image is so much better.
When it's shot in a log profile we would be in the car.
You can still see all the shadows.
You can see me exposed perfectly, but you can also see outside and the sky and it's not blown out and the trees and the detail and having all those stops of dynamic range which we've talked about before, makes your stuff look so much more high-quality.
So much more cinematic and that's why this little teaser this documentary looks so cool because it's shot in log.
The whole thing - and I shoot all these tutorials in log and we've shown you that before like watch here goes the color grade and now the color grades back, shooting and log gives you all that flexibility, when you are grading, so that your stuff looks better.
So vlogs will look better everything I do on.
This will look better with video, because it's just just awesome.
Ok, I don't know what else to say.
One of the things I enjoy the most using this in the field was it just.
It made my whole kit.
Smaller, you know 7201 DX, mark ii, rode videomic pro huge Gorillapod.
All of those things create a very large rig and carrying that thing around it gets heavy and not everybody uses a rig that big but being able to just almost downsize everything.
By like more than half but being able to now just have a much thinner profile, I've even been using the rode video micro instead of the proach, because size factor is like okay.
Well, if I can just make everything a little bit smaller, why not just get a smaller mic on there too? This isn't exactly the smallest camera either, but it's just for vlogging.
It'S a much better set up to the point where I don't even really need a gorilla pod.
I can just hold it out like this.
The mic is small enough.
It'S a nice little package, your backpack can be smaller.
Your whole kit can be smaller.
Your back is gon na.
Thank you for it everything's gon na.
Thank you for it.
This is my first time being able to use an actual kit.
That'S way smaller man, I'm pumped okay.
So let's talk about the lenses.
The lenses are a massive improvement.
There'S the 50 mil 1.
2, the 28 to 70 f, there's a 35 mil and the kit lens, which is a 24 to 105.
Here'S the cool thing about the lenses they've started to do this new technology, which is kind of like a throwback to old technology.
Everything.
That'S all this new again, you know what they say, but they've added this thing in the front called the control ring.
This was never here before I mean throw this in the camera, so you can actually see it better.
So when you've got the camera on your lens, typically you're gon na change, the shutter speed blowme doing that right here, you're gon na do the aperture you're doing that here or like me on the Windex there's a wheel on the back.
Iso you'd normally hit the button and then go over the iso that you want select it, but now they've got this control ring and if you've seen any of the other videos online.
You may already know about this, but this is a whole new way of setting any type of customization you want to this ring.
So if you want this to be your white balance, your exposure, your shutter speed, your aperture, your ISO and that just speeds up everything when you're shooting in the moment so like we are deep in the mountains, trying to shoot pictures of deer.
You don't have time.
A chimp essentially is what it's called when you take a shot and you look at the back of the screen, you take a shot again.
Look at the back of the screen every time, you're.
Looking at the screen, that's slowing you down you're, missing stuff, you're, missing shots, you're missing footage, you're just sitting here, while everything's happening in front of you.
Now, if you don't even have to look because you've got that electronic viewfinder inside everything's, updating in real time, you're able to change the shutter change the aperture and then use this ring for ISO, so without even having to move or look down you're making those adjustments.
So fast on the fly with this new ring, I really like it and in addition to that, they've got this touch bar at the back and that's right here.
You can either tap it on either side or tap and drag to access.
Also quick settings, maybe you'd like to shoot around 800 ISO, sometimes and like 320, is your base, ISO that you don't like going below.
You can set each of those settings of ISO to either side of that touch bar and when you're shooting and you need a quick bump in ISO boom.
You just tap that and you go right to 800.
You tap it back.
It goes right back down to 320 and you can set that as well to anything you want.
It doesn't just have to be ISO, I'm just using that right now as an example, because that's how I've set this up, so these lenses are adding new speed, features to your workflow and shooting workflow in the field that are just making a easier to use.
Everything is just happening faster, faster, faster, which is great when it comes to capturing moments with photography.
You want to be as fast as you can simple as that, but the camera can also fit your old EF lenses and EFS lenses just by putting on a normal adapter and that normal adapter gives you the new control ring features as well.
So you pop this on boom.
You take your old trusty 16 to 35 here pop that on, and you now have usage of all the lenses you already own.
That'S still able to use my 7200 and use my 85, the b-roll King, all those nice tasty, shallow depth, lenses that are very, very fast and expensive that you've collected over the years they're, not forgetting that here, huge wind, okay, you ready for this.
This is so good.
This is the EF lens adapter, but it has a variable, ND filter inside so there's a little wheel right here on the side and when you turn that wheel, you're, adjusting the amount of neutral density that you're getting in your images and your video and the best Part about that is you don't have to actually put a filter on the front of the lens, so if you're using a lens like the 14 mil or the 11 to 24, that has concave glass or just five lens that you have that you don't have an Nd filter for this will work and give you nd and stops of neutral density on all of those lenses, because it sits behind the lens and the coolest part is they have different filters that can slide in and out.
So this is sitting right here.
I'Ll sit.
Do that again, just so, you don't have to rewind look at this.
It just lines up and it's just a beautiful thing: filter locks on and now right here I have my ND filter.
I don't have to put my finger on the front and spin it, but it's just nice that it's just right back here by your thumb, you just rock that right there and you've got ND and you're, not gon na get vignettes not in front of the lens.
It'S behind I've already said like three times.
This is my most favorite thing about the new camera, but there's a lot that I like, as you can tell this here, is one of the biggest lenses I've ever used and I've ever seen the branding is covered on it.
This was the production model that they gave me to use, but this here is a 28 to 70 f/2 and it's f/2 all the way through and what that means is no matter if you're wide at 28 or zoomed all the way in a 70.
Your aperture is still f/2, it's not going to go up, so that is why it's so big and so heavy and so awesome.
So this is a beautiful piece of glass huge fan of this.
I believe this lens might be out sometime in December, but don't hold me to that.
I'M not actually sure.
Also added is the 35 1.
8, an amazing lens to throw in your kit.
This isn't very big at all.
It'S very very small footprint when you have that on your camera, without a grip, it's actually a nice small little package.
They'Re super cool feature of this.
It'S image stabilized! Yes, please, your 35 mil! This is great for everyday stuff.
Yeah! I can get on board with that.
The kit lens is the 24 to 105 f/4, a little bit slower, still great for just versatility.
If you're shooting wildlife, the shooting landscape, is kind of giving you the best of both worlds.
This is what's going to be coming with the Canon EOS R that I'm giving away at the end of this video.
So this is the combo that you'll be getting.
Should you win the giveaway new camera smell? It'S just like.
I want to hang Matt in my truck a few difficulties I had with this camera when we were shooting one comes to mind when I was sitting in a doors off helicopter over the Canadian Rockies, that's just sound so good.
It was really really windy, really really windy and really really cold, and I don't know if that weather and that cold factor was affecting the camera, or it was just my inexperience, with it being able to keep up with how fast I am versus what the camera Is I just felt like the response time for photos when I was shooting out of that chopper in that cold? Wind wasn't as quick as I wanted it to be, both on the high-speed mode and like the single-shot mode.
Now, when I went back through everything when I got to the hotel room, all the shots were there that I was taking it just felt like they weren't going fast as I wanted, as I was seeing the helicopter with the wind and everything like that, and maybe That'S just because it's a mirrorless camera where's, my 1dx kicks that shutter real hard.
You feel it.
You know that shot was taken.
So I don't know my other gripe with this here.
Mirrorless camera is switching from photo to video.
I think there's a faster way to do it.
My friend Jesse driftwood kept talking about like oh, it's so great you can switch so fast.
So if I'm wrong in the comments below tell me how to do it because I'd love to know as far as this camera goes, if you're in video mode, you have to hit this mode button up top and then you have to hit the info button to Switch over to photo mode, whereas in the old cameras you would just switch it, it would just switch the video.
It'S just super easy.
Just boom boom boom boom back and forth, but now you got a hit mode and info getting used to.
That was a little frustrating as well as speed.
I felt like that was slowing me down a few times, because I'd have to look and make sure I hit it or I would miss if I was trying to do it not looking.
So that was a that was something that I struggled with a little bit.
Hopefully there's a faster way to do it, but those were two of the issues that I was having, while using this in pretty extreme conditions.
Those are my thoughts and on the new, are I really like it and honestly.
I think I might give it a shot for another few months.
I think I might actually just only carry this for a few months to just really like dive into it and just explore having a some new tech, because I've, just I just really enjoy shooting with it in the mountains again hype for you guys to see that Final film, it's gon na, be amazing.
If you are interested in winning one of these kits, you want the brand new EOS R, with this lens, to celebrate hitting 2.
5 million subscribers, which is crazy to everyone watching right now, if you've been here from the beginning, if you just got here yesterday, if you Just got here ten minutes ago, even though this video is probably longer than 10 minutes by the time you're watching this.
Whatever welcome.
Thank you it's great to have you.
I appreciate you to everyone that comments and participates and vocalizes their feelings with my videos and joins the conversation and actually involves themselves in this community sincerely.
Thank you.
Thank you very much because none of this would be possible without you guys and I'm just very, very appreciative, and I'm very grateful that each and every one of you are here so hit that link.
In my description.
You guys know how the giveaways work when we use gleam you've done it before we're doing it again.
I'M gon na leave it running for two weeks.
Just in case of people are on vacation.
You want to back and like it was time, missed it by a day so, two weeks, I will let this contest run aside, hitting that gleam link and following the rules to win this camera.
I got to point out if you try to contact me on any front outside of gleam with regards to this contest.
You will be disqualified.
No questions asked if you want to win there's one way to do it.
It'S click on that link.
I love you guys.
Thank you so much.
I hope you enjoyed this video hope you got something out of it.
Thanks for watching the trailer to the film, I hope you guys are pumped 2.
5 million there's so many good things happening.
I'M not gon na make.
You sit through that again I'll see you guys in
Eos are, however, there's so many videos already out there going through the spec sheet, telling you everything i wanted to talk about my real-world experience using it to make a short film, slash documentary style, video in the mountains over the past week, and this is why it Was really weird for me for four or five years now I have been using the Canon 1dx mark 2.
I know everything about it.
I can use it without looking my hands just know where to do all the different modes.
I don't have to look.
I just.
I know everything it's like someone playing the piano.
You just feel the music.
They don't need to look at the keys they just play.
So it's been very hard for me to switch.
That being said, we won't be talking about this camera today, so I'm just gon na.
I don't know where.
To put it, I just I needed this space on the table.
Some emails, just ok today, we're talking about the new eos.
Are it looks like this.
You know why it's awesome too, because with the battery grip on it and a nice lens, it almost feels like the 1dx, but it's still smaller, and if you wanted to actually use this without the battery grip, it's considerably smaller.
Just like this.
So that's that's a big change for me.
It feels different.
It looks different.
That'S when we went to the mountains.
I still brought my 1dx with me as like a backup I want to have my camera with me.
I should bring it around everywhere.
I go so I can take shots with this and then switch over.
I left it in the room, the entire trip it just collected dust in the bag on the floor of my hotel room, and that was that was a big challenge for me.
That was me saying: okay, I'm gon na commit to this.
I'M just gon na use this new camera.
I don't care if it has limitations that I'm not used to.
I am going to use this through and through for this entire project, and we did so if you've seen the trailer teaser rather for the upcoming film called the bucket shot.
It'S on my channel, maybe you've seen it.
If you haven't here's a little clip of that.
We'Re literally flying across the country to take one photo, it's all still covered in its foggy like that, still lose.
I'M not gon na play the whole thing.
I mean it's only 34 seconds, but if you want to see it, there's the little I card whoop, you can click on that and go go check that out yourself.
The whole thing was shot on.
The US are everything everything in that film from start to finish? Was done with this camera we're still working on it? The Edit is very extensive.
You'Ll see more of that to come, you'll see the film itself, we're gon na premiere and it's gon na be great, but let's jump into the specifics of what I liked about this.
What I didn't like what I think could be improved, what I loved and why I might actually switch from my 1d Exmark to to this camera for the first time in five years.
So we all know the specs of this thing.
You'Ve seen it all over the Internet, the only thing that it would be lacking for me compared to what I'm using now is having 120 P.
So as far as this camera goes in comparison to what I'm using what my needs are as a photographer and a filmmaker slash vlogger, because that's they're both very different things.
The only thing this doesn't have is 1080p 120 frames per second and the fast frames per second through photos and continuous shooting those are the only things that would really be hard for me to get used to you guys know me and you watch this channel.
You know that I use 120 P slow-motion video all the time it started off with just like hey.
This is great.
This looks amazing to then becoming part of what I feel is my style, and then the fans started loving it and it became like an integral part of my filmmaking process, but there in also lies the issue I always want to be progressing.
I always want to be taking my own craft to the next level and 120p, for me was starting to make me become a little bit of a lazy, filmmaker and I'll explain what I mean by that is when I got to any type of shoot.
When I got to any type of location, no matter where I was or what I was doing in the world, one of my first just mindless instincts was to just flip over to one 20p, throw an ND filter on there, move that starter to 250 and just Start shooting stuff in slow-mo, but that started to kind of push away.
The storytelling side that I have inside me.
It would suppress that, because I was just worried about getting everything in slo-mo, not look dope.
This the tasty buttery slow-mo clip the b-roll.
Don'T get me wrong, I love b-roll.
You guys know this about me.
It'S my favorite thing ever aside, my kids and my wife, but it's my favorite thing to shoot.
So could you go to a camera that doesn't have 120 P? Well because it's challenging me again.
I can still shoot in 60 P if I want, if you did, want to shoot in 4k.
This does crop the image.
So if you have a 10 millimeter lens on that's gon na be more like a 16 millimeter lens, you are losing more of the image.
Jb this is wide, but then, when you switch to 4k suddenly i'm much closer.
You can combat that by putting a wider EFS lens on.
So for me, that's not a deal-breaker.
It'S just kind of like a nice little package.
Quite possibly my favorite part of this camera is the fact that it shoots an 8-bit si log it'll shoot 10 bits elog, which is a little higher quality, but you can external recorder to do that.
So, if you're, just gon na shoot in camera, 8-bit si log.
It'S so great, it's so so so great and I'm so happy it's in this mirrorless camera, because I've been waiting for something like that with my 1dx and they put out the firmware update with a 5d Mark 4 that had si log and I was like, and It just never came so it was just like, ah because the exposure that you get with a flat image is so much better.
When it's shot in a log profile we would be in the car.
You can still see all the shadows.
You can see me exposed perfectly, but you can also see outside and the sky and it's not blown out and the trees and the detail and having all those stops of dynamic range which we've talked about before, makes your stuff look so much more high-quality.
So much more cinematic and that's why this little teaser this documentary looks so cool because it's shot in log.
The whole thing - and I shoot all these tutorials in log and we've shown you that before like watch here goes the color grade and now the color grades back, shooting and log gives you all that flexibility, when you are grading, so that your stuff looks better.
So vlogs will look better everything I do on.
This will look better with video, because it's just just awesome.
Ok, I don't know what else to say.
One of the things I enjoy the most using this in the field was it just.
It made my whole kit.
Smaller, you know 7201 DX, mark ii, rode videomic pro huge Gorillapod.
All of those things create a very large rig and carrying that thing around it gets heavy and not everybody uses a rig that big but being able to just almost downsize everything.
By like more than half but being able to now just have a much thinner profile, I've even been using the rode video micro instead of the proach, because size factor is like okay.
Well, if I can just make everything a little bit smaller, why not just get a smaller mic on there too? This isn't exactly the smallest camera either, but it's just for vlogging.
It'S a much better set up to the point where I don't even really need a gorilla pod.
I can just hold it out like this.
The mic is small enough.
It'S a nice little package, your backpack can be smaller.
Your whole kit can be smaller.
Your back is gon na.
Thank you for it everything's gon na.
Thank you for it.
This is my first time being able to use an actual kit.
That'S way smaller man, I'm pumped okay.
So let's talk about the lenses.
The lenses are a massive improvement.
There'S the 50 mil 1.
2, the 28 to 70 f, there's a 35 mil and the kit lens, which is a 24 to 105.
Here'S the cool thing about the lenses they've started to do this new technology, which is kind of like a throwback to old technology.
Everything.
That'S all this new again, you know what they say, but they've added this thing in the front called the control ring.
This was never here before I mean throw this in the camera, so you can actually see it better.
So when you've got the camera on your lens, typically you're gon na change, the shutter speed blowme doing that right here, you're gon na do the aperture you're doing that here or like me on the Windex there's a wheel on the back.
Iso you'd normally hit the button and then go over the iso that you want select it, but now they've got this control ring and if you've seen any of the other videos online.
You may already know about this, but this is a whole new way of setting any type of customization you want to this ring.
So if you want this to be your white balance, your exposure, your shutter speed, your aperture, your ISO and that just speeds up everything when you're shooting in the moment so like we are deep in the mountains, trying to shoot pictures of deer.
You don't have time.
A chimp essentially is what it's called when you take a shot and you look at the back of the screen, you take a shot again.
Look at the back of the screen every time, you're.
Looking at the screen, that's slowing you down you're, missing stuff, you're, missing shots, you're missing footage, you're just sitting here, while everything's happening in front of you.
Now, if you don't even have to look because you've got that electronic viewfinder inside everything's, updating in real time, you're able to change the shutter change the aperture and then use this ring for ISO, so without even having to move or look down you're making those adjustments.
So fast on the fly with this new ring, I really like it and in addition to that, they've got this touch bar at the back and that's right here.
You can either tap it on either side or tap and drag to access.
Also quick settings, maybe you'd like to shoot around 800 ISO, sometimes and like 320, is your base, ISO that you don't like going below.
You can set each of those settings of ISO to either side of that touch bar and when you're shooting and you need a quick bump in ISO boom.
You just tap that and you go right to 800.
You tap it back.
It goes right back down to 320 and you can set that as well to anything you want.
It doesn't just have to be ISO, I'm just using that right now as an example, because that's how I've set this up, so these lenses are adding new speed, features to your workflow and shooting workflow in the field that are just making a easier to use.
Everything is just happening faster, faster, faster, which is great when it comes to capturing moments with photography.
You want to be as fast as you can simple as that, but the camera can also fit your old EF lenses and EFS lenses just by putting on a normal adapter and that normal adapter gives you the new control ring features as well.
So you pop this on boom.
You take your old trusty 16 to 35 here pop that on, and you now have usage of all the lenses you already own.
That'S still able to use my 7200 and use my 85, the b-roll King, all those nice tasty, shallow depth, lenses that are very, very fast and expensive that you've collected over the years they're, not forgetting that here, huge wind, okay, you ready for this.
This is so good.
This is the EF lens adapter, but it has a variable, ND filter inside so there's a little wheel right here on the side and when you turn that wheel, you're, adjusting the amount of neutral density that you're getting in your images and your video and the best Part about that is you don't have to actually put a filter on the front of the lens, so if you're using a lens like the 14 mil or the 11 to 24, that has concave glass or just five lens that you have that you don't have an Nd filter for this will work and give you nd and stops of neutral density on all of those lenses, because it sits behind the lens and the coolest part is they have different filters that can slide in and out.
So this is sitting right here.
I'Ll sit.
Do that again, just so, you don't have to rewind look at this.
It just lines up and it's just a beautiful thing: filter locks on and now right here I have my ND filter.
I don't have to put my finger on the front and spin it, but it's just nice that it's just right back here by your thumb, you just rock that right there and you've got ND and you're, not gon na get vignettes not in front of the lens.
It'S behind I've already said like three times.
This is my most favorite thing about the new camera, but there's a lot that I like, as you can tell this here, is one of the biggest lenses I've ever used and I've ever seen the branding is covered on it.
This was the production model that they gave me to use, but this here is a 28 to 70 f/2 and it's f/2 all the way through and what that means is no matter if you're wide at 28 or zoomed all the way in a 70.
Your aperture is still f/2, it's not going to go up, so that is why it's so big and so heavy and so awesome.
So this is a beautiful piece of glass huge fan of this.
I believe this lens might be out sometime in December, but don't hold me to that.
I'M not actually sure.
Also added is the 35 1.
8, an amazing lens to throw in your kit.
This isn't very big at all.
It'S very very small footprint when you have that on your camera, without a grip, it's actually a nice small little package.
They'Re super cool feature of this.
It'S image stabilized! Yes, please, your 35 mil! This is great for everyday stuff.
Yeah! I can get on board with that.
The kit lens is the 24 to 105 f/4, a little bit slower, still great for just versatility.
If you're shooting wildlife, the shooting landscape, is kind of giving you the best of both worlds.
This is what's going to be coming with the Canon EOS R that I'm giving away at the end of this video.
So this is the combo that you'll be getting.
Should you win the giveaway new camera smell? It'S just like.
I want to hang Matt in my truck a few difficulties I had with this camera when we were shooting one comes to mind when I was sitting in a doors off helicopter over the Canadian Rockies, that's just sound so good.
It was really really windy, really really windy and really really cold, and I don't know if that weather and that cold factor was affecting the camera, or it was just my inexperience, with it being able to keep up with how fast I am versus what the camera Is I just felt like the response time for photos when I was shooting out of that chopper in that cold? Wind wasn't as quick as I wanted it to be, both on the high-speed mode and like the single-shot mode.
Now, when I went back through everything when I got to the hotel room, all the shots were there that I was taking it just felt like they weren't going fast as I wanted, as I was seeing the helicopter with the wind and everything like that, and maybe That'S just because it's a mirrorless camera where's, my 1dx kicks that shutter real hard.
You feel it.
You know that shot was taken.
So I don't know my other gripe with this here.
Mirrorless camera is switching from photo to video.
I think there's a faster way to do it.
My friend Jesse driftwood kept talking about like oh, it's so great you can switch so fast.
So if I'm wrong in the comments below tell me how to do it because I'd love to know as far as this camera goes, if you're in video mode, you have to hit this mode button up top and then you have to hit the info button to Switch over to photo mode, whereas in the old cameras you would just switch it, it would just switch the video.
It'S just super easy.
Just boom boom boom boom back and forth, but now you got a hit mode and info getting used to.
That was a little frustrating as well as speed.
I felt like that was slowing me down a few times, because I'd have to look and make sure I hit it or I would miss if I was trying to do it not looking.
So that was a that was something that I struggled with a little bit.
Hopefully there's a faster way to do it, but those were two of the issues that I was having, while using this in pretty extreme conditions.
Those are my thoughts and on the new, are I really like it and honestly.
I think I might give it a shot for another few months.
I think I might actually just only carry this for a few months to just really like dive into it and just explore having a some new tech, because I've, just I just really enjoy shooting with it in the mountains again hype for you guys to see that Final film, it's gon na, be amazing.
If you are interested in winning one of these kits, you want the brand new EOS R, with this lens, to celebrate hitting 2.
5 million subscribers, which is crazy to everyone watching right now, if you've been here from the beginning, if you just got here yesterday, if you Just got here ten minutes ago, even though this video is probably longer than 10 minutes by the time you're watching this.
Whatever welcome.
Thank you it's great to have you.
I appreciate you to everyone that comments and participates and vocalizes their feelings with my videos and joins the conversation and actually involves themselves in this community sincerely.
Thank you.
Thank you very much because none of this would be possible without you guys and I'm just very, very appreciative, and I'm very grateful that each and every one of you are here so hit that link.
In my description.
You guys know how the giveaways work when we use gleam you've done it before we're doing it again.
I'M gon na leave it running for two weeks.
Just in case of people are on vacation.
You want to back and like it was time, missed it by a day so, two weeks, I will let this contest run aside, hitting that gleam link and following the rules to win this camera.
I got to point out if you try to contact me on any front outside of gleam with regards to this contest.
You will be disqualified.
No questions asked if you want to win there's one way to do it.
It'S click on that link.
I love you guys.
Thank you so much.
I hope you enjoyed this video hope you got something out of it.
Thanks for watching the trailer to the film, I hope you guys are pumped 2.
5 million there's so many good things happening.
I'M not gon na make.
You sit through that again I'll see you guys in
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